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The Beginning of Everything – Drumpetello
Tracks:
01 The Beginning of Everything: Prelude: The Creation of the Sea and Earth comp: Thomas Osborne |
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02 The Beginning of Everything: 1. Making the Birds, Insects, and Animals comp: Thomas Osborne |
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03 The Beginning of Everything: 2. Making Man from Clay comp: Thomas Osborne |
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04 The Beginning of Everything: 3. Making Man from Wood comp: Thomas Osborne |
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05 The Beginning of Everything: 4. Making Man from Maize comp: Thomas Osborne |
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06 Ancient Deities: 1. Ometecuhtli/Omecihuatl comp: Matthew Schoendorff |
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07 Ancient Deities: 2. Huitzilopochtli comp: Matthew Schoendorff |
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08 Ancient Deities: 3. Tlaloc comp: Matthew Schoendorff |
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09 Ancient Deities: 4. Piqueta-Zina comp: Matthew Schoendorff |
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10 Ancient Deities: 5. Mictlantecuhtli comp: Matthew Schoendorff |
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11 Ancient Deities: 6. Quetzalcoatl comp: Matthew Schoendorff |
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12 Mesoamerican Suite: 1. The Bridge of Many Colors comp: Lauren Bernofsky |
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13 Mesoamerican Suite: 2. The Stargazer comp: Lauren Bernofsky |
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14 Mesoamerican Suite: 3. The Trickster comp: Lauren Bernofsky |
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15 Mesoamerican Suite: 4. Song to Three Stars comp: Lauren Bernofsky |
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16 Mesoamerican Suite: 5. The Marvelous Chirrionera comp: Lauren Bernofsky |
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17 Mexican Folklore Suite: 1. The Coyote and the Fox comp: James M. Stephenson |
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18 Mexican Folklore Suite: 2. The Mermaid of the Volcano comp: James M. Stephenson |
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19 Mexican Folklore Suite: 3. The Snake comp: James M. Stephenson |
Percussion, trumpet, cello-Drumpetello is unique-this is the first four pieces ever published for this instrumentation.
When Drumpetello first got together to play music as an ensemble, there was just one problem: there were no pieces yet written for our unique combination of percussion, trumpet, and cello. The group decided to rectify this situation immediately. They contacted four composers, who each agreed to write a piece: Thomas Osborne, Matthew Schoendorff, Lauren Bernofsky, James Stephenson.
Each composer wrote a piece inspired by the folklore and mythology of Mexico (or in some cases, the people and societies who lived there before the country of Mexico existed). The result has been four distinct and evocative portraits of what can be called Mesoamerican culture, which are also the first four pieces ever published for this instrumentation.